WORKS
CONTACT Mail: info@chenqiuchi.com
SOCIAL

HISTORIC WORKS

Doves show people's desire for peace, but real peace in the world seems to be human again is slim! Tanks, Aircrafts, Desert and famous buildings and other components of human construction describe the human against the war and had splashed can cause physical damage weapon fratricidal struggle, describing development at humans for their own desire to damage the environment as a consequence of cost. It is a reminder for mankind to protect the environment. The human desire in a series of works under a mushroom cloud like a nuclear mushroom cloud of the atomic explosion-expanded, the results are likely to form the men come crashing out! Works [liberty] major human development report "freedom" produced by canker. The Statue of Liberty is a symbol of human freedom, I used this metaphor for human pleasure slightly claimed the destruction of all means of its own development.
  2000 - 2009   2010 - UNTIL NOW

WORKS ON SALE

Although Chen was born, raised and educated in the same period as other artists from the group China’s post-1989 “Cynical Realism Movement” (which has shaped and defined as the major force behind Chinese contemporary art, and the leading artists of this movement, such as Fang Lijun and Yue Minjun, have undoubtedly achieved international status) he fell short of becoming part of the establishment, simply due to the fact that he did not graduate from China’s select art schools, coupled with his shyness of self-promotion. While Chen Qiuchi’s paintings definitely share some similar qualities and themes with other cynical realists, his concern and focus are beyond the usual subjects of his contemporaries. He draws from both Chinese and Western symbols, blending surrealism and pop elements in his creations, producing a unique vision that is both universal and diversified. Contact me for asking prices at info@chenqiuchi.com
《飞机.之五》 规格:150X200CM 创作年代:2009年 《落花》 规格:90CMX140CM 创作年代:2008年 《寿》 规格:150X150CM 创作年代:2010年 DNA 规格:120X150 创作年代:2004年 《山水系列之三》 规格:120CMX140CM 创作年代:2006年 《静物之五》 规格:80CMX100CM 创作年代:2006年 《裤楼》规格:150X200CM 创作年代:2009年 《荷花》之二 规格:200X400CM 创作年代:2009年 《梅花》 规格:200X400CM 创作年代:2010年 {{战争}} 规格 200CM X 150CM  创作年代 2016年   until 1999
RECENT WORKS 2018 CONTACT ME
PREVIOUS WORKS ON SALE CONTACT ME
青绿山水3 规格 90cm x 140cm 创作年代 2017年 {{一杆枪}} 规格 100CM X 200CM  创作年代 2016年 {{沉睡}} 规格 100CM X 100CM创作年代 2016年 {{玫瑰之坦克}}之二 规格 90CN X 130CM 创作年代 2016年 跃墙  规格 180 x 200cm 创作年代 2017年 人类的纠结 规格 150 x 200cm 创作年代 2015年 这个世界安全吗 规格 180 x 200cm 创作年代 2018年 撞墙 规格 180 x 200cm 创作年代 2018年_1 绿荷花 规格 90 x 120cm 创作年代 2018年 倾轧strife 1 规格 180 x 200cm 创作年代 2018年 飞机之三 规格:150x200cm 创作年代:2008年
WORKS

WORKS ON SALE

Although Chen was born, raised and educated in the same period as other artists from the group China’s post-1989 “Cynical Realism Movement” (which has shaped and defined as the major force behind Chinese contemporary art, and the leading artists of this movement, such as Fang Lijun and Yue Minjun, have undoubtedly achieved international status) he fell short of becoming part of the establishment, simply due to the fact that he did not graduate from China’s select art schools, coupled with his shyness of self-promotion. While Chen Qiuchi’s paintings definitely share some similar qualities and themes with other cynical realists, his concern and focus are beyond the usual subjects of his contemporaries. He draws from both Chinese and Western symbols, blending surrealism and pop elements in his creations, producing a unique vision that is both universal and diversified. Contact me for asking prices at info@chenqiuchi.com
{{一杆枪}} 规格 100CM X 200CM  创作年代 2016年 {{困}}之二 规格 200CM X 150CM  创作年代 2016年 《寿》 规格:150X150CM 创作年代:2010年 {{玫瑰之坦克}}之二 规格 90CN X 130CM 创作年代 2016年 《山水系列之三》 规格:120CMX140CM 创作年代:2006年 《静物之六》 规格:80CMX100CM 创作年代:2006年 《静物之五》 规格:80CMX100CM 创作年代:2006年 《裤楼》规格:150X200CM 创作年代:2009年 《荷花》之二 规格:200X400CM 创作年代:2009年 《梅花》 规格:200X400CM 创作年代:2010年

HISTORIC WORKS

Doves show people's desire for peace, but real peace in the world seemed to be human again is slim! Tank, Aircraft, Desert and famous buildings and other components of human construction describes the human against the war and had splashed can cause physical damage weapon fratricidal struggle, describing development at humans for their own desire to damage the environment as a consequence of cost. It is a reminder for mankind to protect the environment. The human desire in a series of works under a mushroom cloud like a nuclear mushroom cloud of the atomic explosion-expanded, the results are likely to form the men comes crashing out! Works [liberty] major human development report "freedom" produced by canker. The Statue of Liberty is a symbol of human freedom, I used this metaphor for human pleasure slightly claimed the destruction of all means of its own development.
  2000 - 2009   2010 - UNTIL NOW   until 1999 {{霾}} 规格100CM X120CM 创作年代 2016年 {{玫瑰}}之一 规格 100CM X 200CM  创作年代 2016年 {{沉睡}} 规格 100CM X 100CM创作年代 2016年 {{霾之舞}} 规格 90CM X 130CM   创作年代  2016年
PREVIOUS WORKS CONTACT ME
RECENT WORKS 2018 CONTACT ME
SOCIAL
CONTACT Mail: info@chenqiuchi.com
这个世界安全吗 规格 180 x 200cm 创作年代 2018年 撞墙 规格 180 x 200cm 创作年代 2018年_1 绿荷花 规格 90 x 120cm 创作年代 2018年 倾轧strife 1 规格 180 x 200cm 创作年代 2018年 飞机之三 规格:150x200cm 创作年代:2008年